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Casablanca (1942) (IMPROVED COLORIZED vers) Humphrey Bogart & Ing...

Much improved colourized version from the previous offering we have posted for you 1080p movie with superior audio track quality too, from remastered audio track Standard subs for HD version (adjusted only for start point) Arabic Bosnian Croatian Catalan Czech Danish Dutch English Estonian Farsi Finnish French German Greek Hebrew Hungarian Italian Latvian Lithuanian Norwegian Polish Portuguese Romanian Russian Serbian Slovenian Spanish Swedish Turkish Ukrainian Urdu This is one of the greatest movies ever made - extolling the virtue of a woman of great honour in loyalty she chooses to show her husband as a war hero that he has chosen to be in his fight against the Nazi's and is devoted to him in love for his principled qualities and purpose of life he has chosen for he folks of Europe fighting the Nazi menace at the time. It also speaks to the code of chivalry in sacrificing when called for to secure the happiness of our dearest ones - womenfolk in particular and the children on whom we are rightly most depended upon even if in sacrificing for the war effort where morally right that is in an actual just cause instead This great classic movie of all time, looks at the code of chivalry which is supposed to exist between men and women and is slowly becoming a thing of the past in the minds of all too many in today's genre of thinking equally on these matters I fear to say here. A great wartime story, Humphrey Bogart thinks he has been jilted by his girlfriend of a period of time played by the beautiful Ms. Ingrid Bergman. When he leaves Paris for Casablanca and later runs into her again at his Cafe, he is unforgiving of the fact that she left without explanation at the time they lost contact in France, and demands to know if "she does this habitually?' suggesting she lacks some idea of "virtue" (even), as he asks "were there others in-between or aren't you the type that tells?" This is unacceptable behaviour in my own view, he is treating her with disgust and with a sense of moral indignation of dubious validity no doubt - as it turned out that she had left him to rejoin her husband - a war hero of the resistance movement, who she had previously feared dead, but was indeed alive. Nonetheless, Bogart fails to give up on his bad feelings for having been disappointed, and refuses to help Ilsa (Bergman) and her husband escape from the Nazis by giving them the transit visas he had in his possession from a stroke of luck - providence as it turns out, because in the end, he does give them up, but only after Ilsa feels forced to offer herself to him in exchange for seeing her husband get away alone instead. Oh well, all's well that end well I suppose. next time they script a movie like this one I hope it will be with a star who is willing to give a woman as good a break as she has given him by grating him friendship and even intimacy for the time she had - as chivalry asks of him and asks of us all men that are good and decent Thanks for seeding Michael Rizzo Chessman (moviesbyrizzo)