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Category:Movies Total size: 576.90 MB Added: 3 days ago (2026-01-31 07:04:01)
Share ratio:19 seeders, 3 leechers Info Hash:90D20C5732EC9B990AF43EF3D68A4BC7775A04E5 Last updated: 15 minutes ago (2026-02-03 14:53:32)
⭐ 5.5/10 (6 votes)
Playthings
Jul 15, 1962 • 0h 7m • Animation
Overview
Paper cutouts over images of mixed colorful liquids, creating hypnotizing swirls and aesthetic explosions, as well as combining original and futurological sounds. Starting with the relentless hunting of antelopes, the geometric cutouts show the constant struggle between the warring groups. We have been observing it since the primeval times, when the tools of the battles were arches and spears, through the times of the domination of swords, later replaced by firearms. The increasing automation and power of war machines, the emergence of tanks and aircraft, eventually the use of weapons of mass destruction lead to total annihilation
Director: Kazimierz Urbański
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Description:
Year: 1962
Country: Poland
Director: Kazimierz Urbanski
IMBD: Link
Language : No Language
I believe in the trend of animated films that links its future to the mental capacity of the means of expression belonging to kinetic arts and the currently developing principles of aesthetic and semantic audio-visual integration; a trend that explores and reveals the ability to create ambitious animated films based on the conflict of form, texture, light and movement, and not just on the traditionally understood drawn anecdote or even illustrated story. (Kazimierz Urbanski)
The conflict of form which Urbanski wrote about is at the heart of Playthings. It comes up in the opening credits, which are accompanied by images of colourful liquids, creating hypnotic whirlpools and aesthetic explosions, as well as disturbing musical phrases by Andrzej Markowski combining primitive and futurological sounds. When the fluid background calms down, we see the rush of paper antelopes and the relentless attempts to hunt them down. When one of the animals is finally brought down by an arrow, the endless battle between warring groups, which is the central motif of the film, begins. It has existed since prehistoric times, when people fought with bows and spears, then swords, and later firearms. The increasing automation and power of war machines, the appearance of tanks and planes, and finally the use of weapons of mass destruction lead to total annihilation, which once again is shown, as in the prologue of the film, by means of a storm of flowing liquids. This symbolic ‘big bang’, which closes Urbanski’s film, can be regarded as the ideological message behind Playthings, showing the destructive impact of the self-perpetuating war machine. The director also rightly emphasises that the reason for conflict is often irrelevant, what matters is the battle itself.
Playthings is one of the few films by Urbanski in which the storyline is clear to the viewer, and the narrative structure is visible from beginning to end. However, it is not the message, but the original use of materials that gives this film extraordinary power. The characters and weapons cut from paper, based on highly geometric forms, create a visual show thanks to the artistic power of simple images. Cutout animation is the only technique in which objects are subject to such dramatic disintegration (a figure consisting of several pieces of paper falls apart into its components upon the impact of a bullet) and easy transformations (the forming of an army battle order or a column of tanks advancing under intensive aerial bombing as seen from above). Drawing on the basic feature of the cutout technique, which is the continuous transposition of the elements comprising the presented characters, Urbanski created an extraordinary ballet of form and colour with a pacifistic message. (Gold Sigismund)
[ About file ]
Name: Playthings.Kazimierz Urbanski.1962.BluRay.mkv
Date: Wed, 28 Jan 2026 13:58:55 +0100
Size: 604,904,506 bytes (576.881891 MiB)
[ Magic ]
File type: Matroska data
File type: EBML file, creator matroska
[ Generic infos ]
Duration: 00:07:07 (427.386 s)
Container: matroska
Production date: Wed, 28 Jan 2026 04:53:52 +0100
Total tracks: 4
Track nr. 1: video (V_MPEG4/ISO/AVC) {pol}
Track nr. 2: audio (A_FLAC) {pol}
Track nr. 3: subtitle (S_TEXT/UTF8) {eng}
Track nr. 4: subtitle (S_TEXT/UTF8) {fre}
Muxing library: libebml v1.4.5 + libmatroska v1.7.1
Writing application: mkvmerge v88.0 ('All I Know') 64-bit
[ Relevant data ]
Resolution: 1440 x 1080
Width: multiple of 32
Height: multiple of 8
Average DRF: 27.784913
Standard deviation: 2.710125
Std. dev. weighted mean: 2.604472
[ Video track ]
Codec ID: V_MPEG4/ISO/AVC
Resolution: 1440 x 1080
Frame aspect ratio: 4:3 = 1.333333
Pixel aspect ratio: 1:1 = 1
Display aspect ratio: 4:3 = 1.333333
Framerate: 23.976024 fps
Stream size: 590,093,523 bytes (562.757037 MiB)
Duration (bs): 00:07:07 (427.385288 s)
Bitrate (bs): 11045.649707 kbps
Qf: 0.296229
[ Audio track ]
Codec ID: A_FLAC
Sampling frequency: 48000 Hz
Channels: 1
Sample size: 16-bit
[ Video bitstream ]
Bitstream type: MPEG-4 Part 10
User data: x264 | core 164 r3203 52f7694 | H.264/MPEG-4 AVC codec
User data: Copyleft 2003-2024 | http://www.videolan.org/x264.html | cabac=1
User data: ref=4 | deblock=1:-3:-3 | analyse=0x3:0x133 | me=umh | subme=11
User data: psy=1 | psy_rd=1.00:0.00 | mixed_ref=1 | me_range=32 | chroma_me=1
User data: trellis=2 | 8x8dct=1 | cqm=0 | deadzone=21,11 | fast_pskip=0
User data: chroma_qp_offset=-2 | threads=18 | lookahead_threads=4
User data: sliced_threads=0 | nr=0 | decimate=0 | interlaced=0
User data: bluray_compat=0 | constrained_intra=0 | bframes=16 | b_pyramid=2
User data: b_adapt=2 | b_bias=0 | direct=3 | weightb=1 | open_gop=0 | weightp=2
User data: keyint=240 | keyint_min=23 | scenecut=40 | intra_refresh=0
User data: rc_lookahead=150 | rc=2pass | mbtree=0 | bitrate=11000 | ratetol=1.0
User data: qcomp=0.65 | qpmin=0 | qpmax=69 | qpstep=4 | cplxblur=20.0
User data: qblur=0.5 | vbv_maxrate=62500 | vbv_bufsize=78125 | nal_hrd=none
User data: filler=0 | ip_ratio=1.40 | pb_ratio=1.30 | aq=2:1.00
SPS id: 0
Profile: [email protected]
Num ref frames: 4
Aspect ratio: Square pixels
Chroma format: YUV 4:2:0
PPS id: 0 (SPS: 0)
Entropy coding type: CABAC
Weighted prediction: P slices - explicit weighted prediction
Weighted bipred idc: B slices - implicit weighted prediction
8x8dct: Yes
Total frames: 10,247
Drop/delay frames: 0
Corrupt frames: 0
P-slices: 2312 ( 22.563 %) #####
B-slices: 7881 ( 76.910 %) ###############
I-slices: 54 ( 0.527 %)
SP-slices: 0 ( 0.000 %)
SI-slices: 0 ( 0.000 %)
[ DRF analysis ]
average DRF: 27.784913
standard deviation: 2.710125
max DRF: 46
DRF<8: 0 ( 0.000 %)
DRF=8: 1 ( 0.010 %)
DRF=9: 1 ( 0.010 %)
DRF=10: 2 ( 0.020 %)
DRF=11: 10 ( 0.098 %)
DRF=12: 8 ( 0.078 %)
DRF=13: 10 ( 0.098 %)
DRF=14: 7 ( 0.068 %)
DRF=15: 8 ( 0.078 %)
DRF=16: 2 ( 0.020 %)
DRF=17: 1 ( 0.010 %)
DRF=18: 2 ( 0.020 %)
DRF=19: 4 ( 0.039 %)
DRF=20: 13 ( 0.127 %)
DRF=21: 34 ( 0.332 %)
DRF=22: 67 ( 0.654 %)
DRF=23: 112 ( 1.093 %)
DRF=24: 268 ( 2.615 %) #
DRF=25: 698 ( 6.812 %) #
DRF=26: 1289 ( 12.579 %) ###
DRF=27: 2006 ( 19.576 %) ####
DRF=28: 2166 ( 21.138 %) ####
DRF=29: 2101 ( 20.504 %) ####
DRF=30: 756 ( 7.378 %) #
DRF=31: 285 ( 2.781 %) #
DRF=32: 77 ( 0.751 %)
DRF=33: 37 ( 0.361 %)
DRF=34: 40 ( 0.390 %)
DRF=35: 48 ( 0.468 %)
DRF=36: 31 ( 0.303 %)
DRF=37: 33 ( 0.322 %)
DRF=38: 29 ( 0.283 %)
DRF=39: 26 ( 0.254 %)
DRF>39: 75 ( 0.732 %)
P-slices average DRF: 26.573529
P-slices std. deviation: 3.032516
P-slices max DRF: 43
B-slices average DRF: 28.164192
B-slices std. deviation: 2.475294
B-slices max DRF: 46
I-slices average DRF: 24.296296
I-slices std. deviation: 3.13067
I-slices max DRF: 39
This report was created by AVInaptic (01-11-2020) on 31-01-2026 01:39:32