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[indie-pop] (2019) Bat for Lashes - Lost Girls [FLAC] [DarkAngie]

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[indie-pop] (2019) Bat for Lashes - Lost Girls [FLAC] [DarkAngie]

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Category: Music
Total size: 345.10 MB
Added: 3 months ago (2025-03-10 23:39:07)

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Info Hash: 7D838C0D9209E968EDBD15283D108295DAB00512
Last updated: 3 hours ago (2025-06-20 11:39:59)

Us & Them: Korean Indie Rock in a K-Pop World


Apr 14, 2015 • 0h 39m • Documentary

Overview

In a time when K-Pop dominates the airwaves, Korean Indie musicians are making music that breaks out of this corporate mold. Bands like Crying Nut and the Geeks are re-imagining the boundaries of punk rock, while bands like ...Whatever that Means and The RockTigers are putting their own Korean inflections on forms as diverse as garage and psychobilly. This documentary takes you on a trip to the Hongdae neighborhood of Seoul and some of the underground clubs that challenge K-Pop hegemony. It also follows several of the bands as they embark on US tours. Filmed in Korea and the US, the documentary is a follow up to Epstein and Tangherlini's earlier 'Our Nation: A Korean Punk Rock Community'.

Cast: Tim Tangherlini, Stephen J. Epstein

Description:

Bat for Lashes – Lost Girls (2019) Review: The music of Bat for Lashes has always been highly atmospheric, encompassing as it often does elements of folk and Fleetwood Mac on one hand and Nick Cave and middle eastern percussion and instrumentation on the other. While Natasha Khan has certainly made use of the synthesiser before on her records, Lost Girls still feels like a marked departure. On one hand it is very much a Bat for Lashes album but, on the other, it feels like uncharted territory. The initial moments of opening track and first single ‘Kids in the dark’ echo the sonic complexities of Ryuichi Sakamoto’s score for the 1983 film Merry Christmas Mr Lawrence, and this sonic fascination with 1980s films can be heard all over the album, from the cinematic complexities of ‘The Hunger’ and ‘Jasmine’ to the instrumental piece ‘Vampires’, which feels like an unused track from The Lost Boys soundtrack. This is by no means a bad thing: ‘The Hunger’ is one of the strongest tracks on the album, with a muscular synth pop complexity and pretty percussive detail that only underline its epic nature. It might sound a bit like the soundtrack to an unmade John Hughes film, but it’s also timeless, the sound of imagination and yearning running free. ‘Jasmine’, despite sharing some of the same musical DNA as ‘The Hunger’, is a lush dance floor tour de force, both mesmerising and vampishly seductive. It features elements of half whispered spoken word, underlining the 1980s feel and showcasing Khan at her best. ‘Vampires’, meanwhile, features menacing electro drums, Cocteau Twins esque jagged guitar work and a mournful saxaphone refrain that enhances its cinematic brooding. It’s not all brooding soundscapes though: ‘Feel for you’ is a synth powered percussive dance floor filler with a frenetic energy that shows Khan isn’t afraid to have fun. It also favourably reflects her love of the film A Girl Walks Home Alone At Night and its soundtrack. ‘So Good’ is fairly straightforward synth pop with delicate melodic details and interesting percussion while the ambitious ‘Peach Sky’ has a complexity and wistfulness of tone that is excitingly experimental and which perfectly compliments the tentative exploration of feelings that appears to be taking place in the lyrics. The electric piano led slice of prettiness and atmosphere that is ‘Desert Man’ feels more familiar Bat For Lashes territory whereas closing track ‘Mountains’ begins as a stripped down, piano led song that is intimate in scale but which then gradually builds into a cathedral of sound through added layers of vocal and synthesiser. It’s a fittingly ambitious end to an album that has seen Khan experiment musically and run free with her imagination. — louderthanwar.com Track List: 01-Kids in the Dark 02-The Hunger 03-Feel for You 04-Desert Man 05-Jasmine 06-Vampires 07-So Good 08-Safe Tonight 09-Peach Sky 10-Mountains Media Report: Genre: indie-pop Origin: London, UK Format: FLAC Format/Info: Free Lossless Audio Codec Bit rate mode: Variable Channel(s): 2 channels Sampling rate: 44.1 KHz Bit depth: 16 bits Compression mode: Lossless Writing library: libFLAC 1.2.1 (UTC 2007-09-17) Note: If you like the music, support the artist