[dh] Mononoke Hime (Princess Mononoke) [DCP 2K h264-10bit444 Dual FLAC 5.1+2.0]
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Health
Good16/4
Info Hash172f0df40e1dbca582a0500eccb8fe3e4fae327f
Peers Updated7 hours ago (2026-03-23 22:29:09)
Description
Encode sourced from the PrincessMononoke_FTR_F_JA-SV_51_2K_20170407_CRF_IOP_OV Digital Cinema Package that recently appeared (totaling 184 GiB).
Source video is less cropped than BD releases, specially in some scenes (Open matte), and 1998x1080 (2K full frame, higher than normal 1080p). Source audio is the Theatrical Japanese mix at 5.1. Here’s a few comparisons of DCP vs JPBD
Video converted from DCI XYZ’ 4:4:4 12-bit to YUV Rec709 4:4:4 10-bit, matched retail framerate from 24fps directly, then encoded with x264 at 4:4:4 with focus on grain retention, otherwise unfiltered. Bitrate varies from 20-30Mbit/s to 100-110Mbit/s depending on scenes. However, if you want the absolute original grain without any predictive artifacts (although minimized here), you should grab the original source, as that uses all-intra (no predictive frames) encoding.
Audio was resampled to retail rates, then encoded to FLAC. Additional tracks from JPBD (2.0) and USBD (English 5.1) were synced and muxed.
The encode is bloat overall after finding a couple set of parameters that didn’t end up with extremes.
Subtitles are sourced from niizk/eli. They were synced and resampled to match resolution. Additional signs track was made, and Japanese subs + subs for dub were included from JPBD.
Source video is less cropped than BD releases, specially in some scenes (Open matte), and 1998x1080 (2K full frame, higher than normal 1080p). Source audio is the Theatrical Japanese mix at 5.1. Here’s a few comparisons of DCP vs JPBD
Video converted from DCI XYZ’ 4:4:4 12-bit to YUV Rec709 4:4:4 10-bit, matched retail framerate from 24fps directly, then encoded with x264 at 4:4:4 with focus on grain retention, otherwise unfiltered. Bitrate varies from 20-30Mbit/s to 100-110Mbit/s depending on scenes. However, if you want the absolute original grain without any predictive artifacts (although minimized here), you should grab the original source, as that uses all-intra (no predictive frames) encoding.
Audio was resampled to retail rates, then encoded to FLAC. Additional tracks from JPBD (2.0) and USBD (English 5.1) were synced and muxed.
The encode is bloat overall after finding a couple set of parameters that didn’t end up with extremes.
Subtitles are sourced from niizk/eli. They were synced and resampled to match resolution. Additional signs track was made, and Japanese subs + subs for dub were included from JPBD.