Henri Texier - Sand Woman (2018)
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Henri Texier
Sand Woman
2018 - Label Bleu: LBLC6728 (CD) / LBLV6728 (LP)
http://www.label-bleu.com/
http://www.label-bleu.com/artist.php?lng=f&artist_id=91
* Henri Texier : contrabass
* Vincent Lê Quang: tenor saxophone, soprano saxophone
* Sébastien Texier: alto saxophone, clarinet
* Manu Codjia : guitar
* Gautier Garrigue: drums
https://en.wikipedia.org/wiki/Henri_Texier
http://www.vincentlequang.com/
https://www.allmusic.com/artist/sebastien-texier-mn0002303192
https://www.allmusic.com/artist/manu-codjia-mn0000386993
https://www.allmusic.com/artist/gautier-garrigue-mn0003065380
Recorded by Philippe Teissier Du Cros at Studio Gil Evans,
Maison de la Culture d’Amiens, Amiens, France, on October 2017.
Reviews
~~~~~~~
By Raul da Gama
https://jazzdagama.com/music/henri-texier-sand-woman/
The French were drawn to Jazz long before any other European recognised the
authentic brilliance of the music. Composers such as Claude Debussy in his
suggestive and evocative tone poem Prélude à l’après-midi d’un faune introduced
the idea of constantly shifting harmonic and orchestral backgrounds, and his
younger contemporary Maurice Ravel’s G major piano concerto is deeply infused
with the idioms of Jazz. This phenomenon has continued right through the
decades when artists from Sidney Bechet to Kenny Clarke and Bud Powell were
attracted to France and why some of the finest writing in appreciation of Jazz
might still be attributed to Boris Vian.
[...]
--
Georges Tonla Briquet (nl)
http://www.jazzenzo.nl/?e=4000
Ssirus W. Pakzad (de)
https://www.jazzthing.de/review/henri-texier-sand-woman/
Da Neri Pollastri (it)
https://www.allaboutjazz.com/sand-woman-henri-texier-label-bleu-review-by-neri-pollastri.php
Par Denis Desassis (fr)
https://www.citizenjazz.com/Henri-Texier-3475347.html
Por Jesús Gonzalo (es)
https://noiself.com/2018/11/henri-texier-sand-woman/
Sand Woman
2018 - Label Bleu: LBLC6728 (CD) / LBLV6728 (LP)
http://www.label-bleu.com/
http://www.label-bleu.com/artist.php?lng=f&artist_id=91
* Henri Texier : contrabass
* Vincent Lê Quang: tenor saxophone, soprano saxophone
* Sébastien Texier: alto saxophone, clarinet
* Manu Codjia : guitar
* Gautier Garrigue: drums
https://en.wikipedia.org/wiki/Henri_Texier
http://www.vincentlequang.com/
https://www.allmusic.com/artist/sebastien-texier-mn0002303192
https://www.allmusic.com/artist/manu-codjia-mn0000386993
https://www.allmusic.com/artist/gautier-garrigue-mn0003065380
Recorded by Philippe Teissier Du Cros at Studio Gil Evans,
Maison de la Culture d’Amiens, Amiens, France, on October 2017.
Reviews
~~~~~~~
By Raul da Gama
https://jazzdagama.com/music/henri-texier-sand-woman/
The French were drawn to Jazz long before any other European recognised the
authentic brilliance of the music. Composers such as Claude Debussy in his
suggestive and evocative tone poem Prélude à l’après-midi d’un faune introduced
the idea of constantly shifting harmonic and orchestral backgrounds, and his
younger contemporary Maurice Ravel’s G major piano concerto is deeply infused
with the idioms of Jazz. This phenomenon has continued right through the
decades when artists from Sidney Bechet to Kenny Clarke and Bud Powell were
attracted to France and why some of the finest writing in appreciation of Jazz
might still be attributed to Boris Vian.
[...]
--
Georges Tonla Briquet (nl)
http://www.jazzenzo.nl/?e=4000
Ssirus W. Pakzad (de)
https://www.jazzthing.de/review/henri-texier-sand-woman/
Da Neri Pollastri (it)
https://www.allaboutjazz.com/sand-woman-henri-texier-label-bleu-review-by-neri-pollastri.php
Par Denis Desassis (fr)
https://www.citizenjazz.com/Henri-Texier-3475347.html
Por Jesús Gonzalo (es)
https://noiself.com/2018/11/henri-texier-sand-woman/